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A History of The World in 10 1/2 Chapters

  • Tania Bock
  • Feb 21, 2021
  • 2 min read

Updated: May 11, 2021

By Julian Barnes

A History of the World in 10 1/2 Chapters by Julian Barnes cover
A History of the World in 10 1/2 Chapters by Julian Barnes

I found this book in the fiction section of Powell’s. I bought it in 2018 because I liked the title, but it would be another year before I actually read it. I know this because the receipt is still tucked into the front cover. I read it entirely while sitting on my dorm bed, with only my string lights, taped to the wall, to light up the pages. Not that I read it all in one night, but when I read it, that’s how I would do it.

“A History” is made up of 10 ½ separate stories, starting with a comical retelling of Noah’s Ark and ending with one concept of the afterlife. The final chapter is a major reason why I recommend this book to others. But it is remarkably similar to the ending of The Good Place, which everyone should watch, so I won’t risk spoiling it.

The stories intersect with one another in myriad ways. Sometimes it is a word or phrase, sometimes it is a symbolic object, sometimes an indirect reference to the events of another chapter. The result is a text more intricate than a collection of short stories; it is a series of ideas refracted among each other.


Now I must admit to a small lie. They are not all stories. The “half chapter” is an in-depth analysis of The Raft of the Medusa by Théodore Géricault. Even this analysis is linked in the web-like structure of the book. It raises many important ideas. In the whole book, I have only underlined one sentence from this half-chapter.

The Raft of the Medusa Théodore Géricault painting
The Raft of the Medusa by Théodore Géricault

The analysis covers how Géricault made this work and the choices he almost made. It comes after a story explaining the true story of the Medusa Raft, which made this painting a relevant social commentary in its time. This context has been almost entirely forgotten, yet the painting still lives on as a masterpiece. What does it mean now that it has been removed from its original context? Should art be removed from its historical moment? Can it be removed? Can anything?


I would recommend this book to anyone with an eye for detail, a mind for philosophy, and a tolerance for religious irreverence.

My Copy: Julian Barnes. A History of the World in 10 1/2 Chapters. Amsterdam-Netherlands, Netherlands, Adfo Books, 1990. Get it Here!




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